
Bananagun Why is the Colour of the Sky? Vinyl LP 2024 Ltd Dinked Edition #310
Dinked Edition: DINKED #310
- Yellow on Green with splatter vinyl *
- Alternative artwork sleeve *
- A3 collage poster designed by Nick van Bakel *
- Hand-numbered *
- Limited pressing of 300*
*EXCLUSIVE to Dinked Edition
Tracklist:
1. Brave Child of a New World
2. Children of the Man
3. Those Who Came Before
4. Feeding the Moon
5. Gift of the Open Hand
6. With the Night
7. Hippopotamusic
8. Free Energy
9. Wonder part I
10. Wonder part II
To say that the intervening 4 years since the arrival of their debut album had been tumultuous for Melbourne/Naarmâs Bananagun would be an understatement. Released during the height of lockdown in the summer of 2020, the group were forcibly âscatteredâ following the release of The True Story of Bananagun. Australiaâs ultra-strict lockdown rules - declaring it illegal to travel beyond a 5km radius - made it nigh on impossible for the band to get together at all, with the only rehearsals requiring them to sneak past military checkpoints undetected. Coinciding with this too was a great period of personal change for the bandâs guitarist/vocalist/flautist, and songwriter Nick van Bakel.â & I had a myriad of mountains to be crossed which was pretty challengingâ he explains. âso I just cocooned into lots of spiritual side quests and soul seeking. Band members were travelling etc so it was ages before we got through the stop-start stop-start phase and regained some band momentumâŠâ
This climate of upheaval does not go unheard on the bandâs long-awaited follow-up, âWhy is the colour of the Sky?â. While itâs by no means a pessimistic work - far from it - itâs an album that departs from the ultra-slick bursts of sunshine-pop and afrobeat that defined âTrue Story⊠â, and muddies the waters with a heavy blend of incendiary jazz and freak-beat experimentation. Itâs Bananagun alright, but braver, bolder and more mysterious than everâŠ
With the only conscious musical dictum being that percussion and groove was brought âto the foreâ - and, boy, is this album groovy - the band decamped to a Button Pusher studio Preston, Melbourne with equipment âon par with any 60's studioâ, tracking with minimal takes - âwartsâ nâ allâ - battling through the temperaments of analogue mixing equipment late into the night under the assertion that these more traditional methods provided âthe most, organic pure way to recordâ. Also imperative was to manipulate the social conditions in which the takes were performed and nail the âvibeâ during recording: âIt was all âattitude towards life and esoteric stuff, natural law, how energy transfers, sounds, chemistry between peopleâ, explains van Bakel, âtrying to foster an environment together where we can make some magic, capture the phenomena of energy and soundwaves interacting with each other in the room. And that was definitely what we wanted it to sound like - pro humanâ
In many ways, âpro-humanâ captures the radical quintessence that Why Is the Colour of the Sky? is fulsomely jazz-shuffling towards. For a record that recognises, in itâs every breath and sinew the humbling, restorative and life-affirming power of collective creative endeavour - itâs also a work that resists an ever more technologically-driven and isolating world that can feel ever more dehumanising in its quests for âperfectionâ. A theme directly addressed in âChildren of the Manâ with itâs âRobo-sapienâ lyric, itâs a thread that runs across the entire record: âI feel like a lot of human nature and tradition is worth preserving because we've probably evolved to be this way.â, van Bakel notes, â[Why is the ColourâŠ] is all just about not losing your head and being over stimulated by the âgoggle boxâ; the need for spirituality and nature; the need to be able to communicate and share ideas and adapt in a rapidly changing world without being judged and profiled. The preservation of human needs, so we don't all get homogenised and isolated and poisoned to stupidity and obedience."
And what better way is there to feel human than by laying down a dynamite groove, or nine?
*Limited to 1 copy per customer/household, multiple orders will be cancelled without notice.
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Bananagun Why is the Colour of the Sky? Vinyl LP 2024 Ltd Dinked Edition #310
Dinked Edition: DINKED #310
- Yellow on Green with splatter vinyl *
- Alternative artwork sleeve *
- A3 collage poster designed by Nick van Bakel *
- Hand-numbered *
- Limited pressing of 300*
*EXCLUSIVE to Dinked Edition
Tracklist:
1. Brave Child of a New World
2. Children of the Man
3. Those Who Came Before
4. Feeding the Moon
5. Gift of the Open Hand
6. With the Night
7. Hippopotamusic
8. Free Energy
9. Wonder part I
10. Wonder part II
To say that the intervening 4 years since the arrival of their debut album had been tumultuous for Melbourne/Naarmâs Bananagun would be an understatement. Released during the height of lockdown in the summer of 2020, the group were forcibly âscatteredâ following the release of The True Story of Bananagun. Australiaâs ultra-strict lockdown rules - declaring it illegal to travel beyond a 5km radius - made it nigh on impossible for the band to get together at all, with the only rehearsals requiring them to sneak past military checkpoints undetected. Coinciding with this too was a great period of personal change for the bandâs guitarist/vocalist/flautist, and songwriter Nick van Bakel.â & I had a myriad of mountains to be crossed which was pretty challengingâ he explains. âso I just cocooned into lots of spiritual side quests and soul seeking. Band members were travelling etc so it was ages before we got through the stop-start stop-start phase and regained some band momentumâŠâ
This climate of upheaval does not go unheard on the bandâs long-awaited follow-up, âWhy is the colour of the Sky?â. While itâs by no means a pessimistic work - far from it - itâs an album that departs from the ultra-slick bursts of sunshine-pop and afrobeat that defined âTrue Story⊠â, and muddies the waters with a heavy blend of incendiary jazz and freak-beat experimentation. Itâs Bananagun alright, but braver, bolder and more mysterious than everâŠ
With the only conscious musical dictum being that percussion and groove was brought âto the foreâ - and, boy, is this album groovy - the band decamped to a Button Pusher studio Preston, Melbourne with equipment âon par with any 60's studioâ, tracking with minimal takes - âwartsâ nâ allâ - battling through the temperaments of analogue mixing equipment late into the night under the assertion that these more traditional methods provided âthe most, organic pure way to recordâ. Also imperative was to manipulate the social conditions in which the takes were performed and nail the âvibeâ during recording: âIt was all âattitude towards life and esoteric stuff, natural law, how energy transfers, sounds, chemistry between peopleâ, explains van Bakel, âtrying to foster an environment together where we can make some magic, capture the phenomena of energy and soundwaves interacting with each other in the room. And that was definitely what we wanted it to sound like - pro humanâ
In many ways, âpro-humanâ captures the radical quintessence that Why Is the Colour of the Sky? is fulsomely jazz-shuffling towards. For a record that recognises, in itâs every breath and sinew the humbling, restorative and life-affirming power of collective creative endeavour - itâs also a work that resists an ever more technologically-driven and isolating world that can feel ever more dehumanising in its quests for âperfectionâ. A theme directly addressed in âChildren of the Manâ with itâs âRobo-sapienâ lyric, itâs a thread that runs across the entire record: âI feel like a lot of human nature and tradition is worth preserving because we've probably evolved to be this way.â, van Bakel notes, â[Why is the ColourâŠ] is all just about not losing your head and being over stimulated by the âgoggle boxâ; the need for spirituality and nature; the need to be able to communicate and share ideas and adapt in a rapidly changing world without being judged and profiled. The preservation of human needs, so we don't all get homogenised and isolated and poisoned to stupidity and obedience."
And what better way is there to feel human than by laying down a dynamite groove, or nine?
*Limited to 1 copy per customer/household, multiple orders will be cancelled without notice.
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Product Information
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Description
Dinked Edition: DINKED #310
- Yellow on Green with splatter vinyl *
- Alternative artwork sleeve *
- A3 collage poster designed by Nick van Bakel *
- Hand-numbered *
- Limited pressing of 300*
*EXCLUSIVE to Dinked Edition
Tracklist:
1. Brave Child of a New World
2. Children of the Man
3. Those Who Came Before
4. Feeding the Moon
5. Gift of the Open Hand
6. With the Night
7. Hippopotamusic
8. Free Energy
9. Wonder part I
10. Wonder part II
To say that the intervening 4 years since the arrival of their debut album had been tumultuous for Melbourne/Naarmâs Bananagun would be an understatement. Released during the height of lockdown in the summer of 2020, the group were forcibly âscatteredâ following the release of The True Story of Bananagun. Australiaâs ultra-strict lockdown rules - declaring it illegal to travel beyond a 5km radius - made it nigh on impossible for the band to get together at all, with the only rehearsals requiring them to sneak past military checkpoints undetected. Coinciding with this too was a great period of personal change for the bandâs guitarist/vocalist/flautist, and songwriter Nick van Bakel.â & I had a myriad of mountains to be crossed which was pretty challengingâ he explains. âso I just cocooned into lots of spiritual side quests and soul seeking. Band members were travelling etc so it was ages before we got through the stop-start stop-start phase and regained some band momentumâŠâ
This climate of upheaval does not go unheard on the bandâs long-awaited follow-up, âWhy is the colour of the Sky?â. While itâs by no means a pessimistic work - far from it - itâs an album that departs from the ultra-slick bursts of sunshine-pop and afrobeat that defined âTrue Story⊠â, and muddies the waters with a heavy blend of incendiary jazz and freak-beat experimentation. Itâs Bananagun alright, but braver, bolder and more mysterious than everâŠ
With the only conscious musical dictum being that percussion and groove was brought âto the foreâ - and, boy, is this album groovy - the band decamped to a Button Pusher studio Preston, Melbourne with equipment âon par with any 60's studioâ, tracking with minimal takes - âwartsâ nâ allâ - battling through the temperaments of analogue mixing equipment late into the night under the assertion that these more traditional methods provided âthe most, organic pure way to recordâ. Also imperative was to manipulate the social conditions in which the takes were performed and nail the âvibeâ during recording: âIt was all âattitude towards life and esoteric stuff, natural law, how energy transfers, sounds, chemistry between peopleâ, explains van Bakel, âtrying to foster an environment together where we can make some magic, capture the phenomena of energy and soundwaves interacting with each other in the room. And that was definitely what we wanted it to sound like - pro humanâ
In many ways, âpro-humanâ captures the radical quintessence that Why Is the Colour of the Sky? is fulsomely jazz-shuffling towards. For a record that recognises, in itâs every breath and sinew the humbling, restorative and life-affirming power of collective creative endeavour - itâs also a work that resists an ever more technologically-driven and isolating world that can feel ever more dehumanising in its quests for âperfectionâ. A theme directly addressed in âChildren of the Manâ with itâs âRobo-sapienâ lyric, itâs a thread that runs across the entire record: âI feel like a lot of human nature and tradition is worth preserving because we've probably evolved to be this way.â, van Bakel notes, â[Why is the ColourâŠ] is all just about not losing your head and being over stimulated by the âgoggle boxâ; the need for spirituality and nature; the need to be able to communicate and share ideas and adapt in a rapidly changing world without being judged and profiled. The preservation of human needs, so we don't all get homogenised and isolated and poisoned to stupidity and obedience."
And what better way is there to feel human than by laying down a dynamite groove, or nine?
*Limited to 1 copy per customer/household, multiple orders will be cancelled without notice.
















