
bar italia Some Like It Hot Vinyl LP Clear Turquoise Colour 2025
Tracklist:
1. Fundraiser
2. Marble Arch
3. bad reputation
4. Cowbella
5. I Make My Own Dust
6. Plastered
7. rooster
8. the lady vanishes
9. Lioness
10. omni shambles
11. Eyepatch
12. Some Like It Hot
Some Like It Hot is a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, rambunctious and evergreen â a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album by London three-piece bar italia â out October 17th on Matador â and certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton â three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.
The synergy of this three-way blunt rotation is embedded in the trioâs DNA. Cristante brings a studied actorsâ sensibility to vocals ranging from honeyed (the aforementioned âMarble Archâ) to hell-bent and possessed (âroosterâ). Fehmi ranges from airy, brooding baritone (âLionessâ) to mic-chewing megaphone histrionics (âomni shamblesâ). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (âPlasteredâ).
The cultivation of their sound, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of Some Like It Hot, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart â the poised Tracey Denim and the grand The Twits â they were a shy, eye-contact-avoiding band, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe, with headline performances from Istanbul to Tokyo, sold-out multi-night stints in New York and Los Angeles, and festivals including Corona Capital, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores â equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.
Some Like It Hot is telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of âomni shamblesâ and âEyepatchâ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. A pining for tangibility abounds: âjust show me the face that you've been trying to hideâ, Fenton opines on the Balkan-tinged waltz of âbad reputationâ. Other songs surrender to abandon wholesale: âI was lost to the world from the moment we kissedâ, Fenton sings on âroosterâ, while on the 12-string new wave majesty of âLionessâ, Fehmi states, âYou have no idea what I can do for you when Iâm in this moodâ.
bar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses, and find elevation in tension, playing with self-identity, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: âWell, nobodyâs perfect.â This, however, comes pretty close.
Original: $35.34
-65%$35.34
$12.37bar italia Some Like It Hot Vinyl LP Clear Turquoise Colour 2025
Tracklist:
1. Fundraiser
2. Marble Arch
3. bad reputation
4. Cowbella
5. I Make My Own Dust
6. Plastered
7. rooster
8. the lady vanishes
9. Lioness
10. omni shambles
11. Eyepatch
12. Some Like It Hot
Some Like It Hot is a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, rambunctious and evergreen â a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album by London three-piece bar italia â out October 17th on Matador â and certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton â three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.
The synergy of this three-way blunt rotation is embedded in the trioâs DNA. Cristante brings a studied actorsâ sensibility to vocals ranging from honeyed (the aforementioned âMarble Archâ) to hell-bent and possessed (âroosterâ). Fehmi ranges from airy, brooding baritone (âLionessâ) to mic-chewing megaphone histrionics (âomni shamblesâ). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (âPlasteredâ).
The cultivation of their sound, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of Some Like It Hot, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart â the poised Tracey Denim and the grand The Twits â they were a shy, eye-contact-avoiding band, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe, with headline performances from Istanbul to Tokyo, sold-out multi-night stints in New York and Los Angeles, and festivals including Corona Capital, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores â equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.
Some Like It Hot is telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of âomni shamblesâ and âEyepatchâ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. A pining for tangibility abounds: âjust show me the face that you've been trying to hideâ, Fenton opines on the Balkan-tinged waltz of âbad reputationâ. Other songs surrender to abandon wholesale: âI was lost to the world from the moment we kissedâ, Fenton sings on âroosterâ, while on the 12-string new wave majesty of âLionessâ, Fehmi states, âYou have no idea what I can do for you when Iâm in this moodâ.
bar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses, and find elevation in tension, playing with self-identity, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: âWell, nobodyâs perfect.â This, however, comes pretty close.
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Tracklist:
1. Fundraiser
2. Marble Arch
3. bad reputation
4. Cowbella
5. I Make My Own Dust
6. Plastered
7. rooster
8. the lady vanishes
9. Lioness
10. omni shambles
11. Eyepatch
12. Some Like It Hot
Some Like It Hot is a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, rambunctious and evergreen â a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album by London three-piece bar italia â out October 17th on Matador â and certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton â three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.
The synergy of this three-way blunt rotation is embedded in the trioâs DNA. Cristante brings a studied actorsâ sensibility to vocals ranging from honeyed (the aforementioned âMarble Archâ) to hell-bent and possessed (âroosterâ). Fehmi ranges from airy, brooding baritone (âLionessâ) to mic-chewing megaphone histrionics (âomni shamblesâ). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (âPlasteredâ).
The cultivation of their sound, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of Some Like It Hot, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart â the poised Tracey Denim and the grand The Twits â they were a shy, eye-contact-avoiding band, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe, with headline performances from Istanbul to Tokyo, sold-out multi-night stints in New York and Los Angeles, and festivals including Corona Capital, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores â equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.
Some Like It Hot is telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of âomni shamblesâ and âEyepatchâ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. A pining for tangibility abounds: âjust show me the face that you've been trying to hideâ, Fenton opines on the Balkan-tinged waltz of âbad reputationâ. Other songs surrender to abandon wholesale: âI was lost to the world from the moment we kissedâ, Fenton sings on âroosterâ, while on the 12-string new wave majesty of âLionessâ, Fehmi states, âYou have no idea what I can do for you when Iâm in this moodâ.
bar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses, and find elevation in tension, playing with self-identity, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: âWell, nobodyâs perfect.â This, however, comes pretty close.










