
Fleetwood Mac Mr Wonderful Vinyl LP 2025
1. Stop Messinâ Round 1 Need Your Love Tonight
2. Iâve Lost My Baby 2 If You Be My Baby
3. Rollinâ Man 3 Eveninâ Boogie
4. Dust My Broom 4 Lazy Poker Blues
5. Love That Burns 5 Coming Home
6. Doctor Brown 6 Trying So Hard To Forget
The second studio album by British blues rock greats Fleetwood Mac, again produced by Mike Vernon, took just four days to record, hit the streets in August 1968 and was another success in the UK and Europe. It featured contributions from Christine Perfect (soon to be Christine McVie) of Chicken Shack on keyboards, Duster Bennett on harmonica and various saxophone players, including Johnny Almond. The opening shuffle, âStop Messinâ Roundâ sets the tone. Bursting with energy, itâs loose yet controlled;
about âas much fun as you can have with a guitar without getting arrestedâ, as Classic Rock put it 50 years on. âLazy Poker Bluesâ carries that same vibrant spirit, adding clever double entendre lyrics that perfectly suit its playful title.
Itâs also worth mentioning âNeed Your Love Tonight,â a blues ballad elevated by the addition of an orchestra, and the stunning âLove That Burnsâ, which showcases leader Peter Greenâs spellbinding talent. One moment heâs sharp and penetrating, and the next heâs gentle and delicate, delivering the kind of performance that B.B. King once said gave him âthe cold sweatsâ.
Original: $35.34
-65%$35.34
$12.37Fleetwood Mac Mr Wonderful Vinyl LP 2025
1. Stop Messinâ Round 1 Need Your Love Tonight
2. Iâve Lost My Baby 2 If You Be My Baby
3. Rollinâ Man 3 Eveninâ Boogie
4. Dust My Broom 4 Lazy Poker Blues
5. Love That Burns 5 Coming Home
6. Doctor Brown 6 Trying So Hard To Forget
The second studio album by British blues rock greats Fleetwood Mac, again produced by Mike Vernon, took just four days to record, hit the streets in August 1968 and was another success in the UK and Europe. It featured contributions from Christine Perfect (soon to be Christine McVie) of Chicken Shack on keyboards, Duster Bennett on harmonica and various saxophone players, including Johnny Almond. The opening shuffle, âStop Messinâ Roundâ sets the tone. Bursting with energy, itâs loose yet controlled;
about âas much fun as you can have with a guitar without getting arrestedâ, as Classic Rock put it 50 years on. âLazy Poker Bluesâ carries that same vibrant spirit, adding clever double entendre lyrics that perfectly suit its playful title.
Itâs also worth mentioning âNeed Your Love Tonight,â a blues ballad elevated by the addition of an orchestra, and the stunning âLove That Burnsâ, which showcases leader Peter Greenâs spellbinding talent. One moment heâs sharp and penetrating, and the next heâs gentle and delicate, delivering the kind of performance that B.B. King once said gave him âthe cold sweatsâ.
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Description
1. Stop Messinâ Round 1 Need Your Love Tonight
2. Iâve Lost My Baby 2 If You Be My Baby
3. Rollinâ Man 3 Eveninâ Boogie
4. Dust My Broom 4 Lazy Poker Blues
5. Love That Burns 5 Coming Home
6. Doctor Brown 6 Trying So Hard To Forget
The second studio album by British blues rock greats Fleetwood Mac, again produced by Mike Vernon, took just four days to record, hit the streets in August 1968 and was another success in the UK and Europe. It featured contributions from Christine Perfect (soon to be Christine McVie) of Chicken Shack on keyboards, Duster Bennett on harmonica and various saxophone players, including Johnny Almond. The opening shuffle, âStop Messinâ Roundâ sets the tone. Bursting with energy, itâs loose yet controlled;
about âas much fun as you can have with a guitar without getting arrestedâ, as Classic Rock put it 50 years on. âLazy Poker Bluesâ carries that same vibrant spirit, adding clever double entendre lyrics that perfectly suit its playful title.
Itâs also worth mentioning âNeed Your Love Tonight,â a blues ballad elevated by the addition of an orchestra, and the stunning âLove That Burnsâ, which showcases leader Peter Greenâs spellbinding talent. One moment heâs sharp and penetrating, and the next heâs gentle and delicate, delivering the kind of performance that B.B. King once said gave him âthe cold sweatsâ.










