
Imarhan Essam Vinyl LP Indies Transparent Petrol Colour 2026
Tracklist:
1. Ahitmanin
2. Derhan NâOulhine (extended version)
3. Télallalt
4. Tamiditin
5. Azaman Amoutay (extended version)
6. Tin Arayth
7. Tinfoussen
8. Adounia tochal (extended version)
9. Assagasswar
ESSAM is the bandâs fourth album, recorded with the same core lineup, but marks asignificant shift in their sound and approach. Musically, it marks a departure from the rocky,bluesy, psychedelic Tuareg guitar-driven sound influenced by Tinariwenâs heritageâmovingtoward something more open, modern, and exploratory.For the first time, their long-time sound engineer Maxime Kosinetz stepped in as producer.He travelled to Tamanrasset with Emile Papandreou (of the French duo UTO), a multi-instrumentalist who introduced electronic elements by sampling live instruments andreprocessing them in real time with a modular synthesizerâsubtly reshaping the band'ssonic identity.The album was recorded mostly live, in one big room at Aboogi Studioâthe bandâs ownrehearsal and recording space in Tamanrasset. The studio, a converted concert hall, hasbecome a kind of cultural hub for the local youth. Friends dropped by during the sessions tocontribute handclaps, vocals, and just be part of the energy. Itâs a space where peoplegather, hang out, play dominoes, smoke chichaâa rare communal spot in a city thatdoesnât offer many for young people, somewhat like a youth and communitycenter.This contextâthe creative shift, the live recording process, the atmosphere around Aboogiâmight be interesting threads to explore in the conversation.
Original: $40.78
-65%$40.78
$14.27Imarhan Essam Vinyl LP Indies Transparent Petrol Colour 2026
Tracklist:
1. Ahitmanin
2. Derhan NâOulhine (extended version)
3. Télallalt
4. Tamiditin
5. Azaman Amoutay (extended version)
6. Tin Arayth
7. Tinfoussen
8. Adounia tochal (extended version)
9. Assagasswar
ESSAM is the bandâs fourth album, recorded with the same core lineup, but marks asignificant shift in their sound and approach. Musically, it marks a departure from the rocky,bluesy, psychedelic Tuareg guitar-driven sound influenced by Tinariwenâs heritageâmovingtoward something more open, modern, and exploratory.For the first time, their long-time sound engineer Maxime Kosinetz stepped in as producer.He travelled to Tamanrasset with Emile Papandreou (of the French duo UTO), a multi-instrumentalist who introduced electronic elements by sampling live instruments andreprocessing them in real time with a modular synthesizerâsubtly reshaping the band'ssonic identity.The album was recorded mostly live, in one big room at Aboogi Studioâthe bandâs ownrehearsal and recording space in Tamanrasset. The studio, a converted concert hall, hasbecome a kind of cultural hub for the local youth. Friends dropped by during the sessions tocontribute handclaps, vocals, and just be part of the energy. Itâs a space where peoplegather, hang out, play dominoes, smoke chichaâa rare communal spot in a city thatdoesnât offer many for young people, somewhat like a youth and communitycenter.This contextâthe creative shift, the live recording process, the atmosphere around Aboogiâmight be interesting threads to explore in the conversation.
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Tracklist:
1. Ahitmanin
2. Derhan NâOulhine (extended version)
3. Télallalt
4. Tamiditin
5. Azaman Amoutay (extended version)
6. Tin Arayth
7. Tinfoussen
8. Adounia tochal (extended version)
9. Assagasswar
ESSAM is the bandâs fourth album, recorded with the same core lineup, but marks asignificant shift in their sound and approach. Musically, it marks a departure from the rocky,bluesy, psychedelic Tuareg guitar-driven sound influenced by Tinariwenâs heritageâmovingtoward something more open, modern, and exploratory.For the first time, their long-time sound engineer Maxime Kosinetz stepped in as producer.He travelled to Tamanrasset with Emile Papandreou (of the French duo UTO), a multi-instrumentalist who introduced electronic elements by sampling live instruments andreprocessing them in real time with a modular synthesizerâsubtly reshaping the band'ssonic identity.The album was recorded mostly live, in one big room at Aboogi Studioâthe bandâs ownrehearsal and recording space in Tamanrasset. The studio, a converted concert hall, hasbecome a kind of cultural hub for the local youth. Friends dropped by during the sessions tocontribute handclaps, vocals, and just be part of the energy. Itâs a space where peoplegather, hang out, play dominoes, smoke chichaâa rare communal spot in a city thatdoesnât offer many for young people, somewhat like a youth and communitycenter.This contextâthe creative shift, the live recording process, the atmosphere around Aboogiâmight be interesting threads to explore in the conversation.













