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Urs Graf Consort Fireproof Sweat Vinyl LP 2025
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Urs Graf Consort Fireproof Sweat Vinyl LP 2025

Urs Graf Consort Fireproof Sweat Vinyl LP 2025

Tracklist:

1. Bacalhau
2. Moon
3. Tute bianche
4. Usury
5. No hope, no rope
6. Parachute
7. Sun
8. El Dorado

Fireproof Sweat picks up the torch from the group’s second album, VivĂ©rĂ© (2016, La RĂ©publique des Granges), though where VivĂ©rĂ© fights and shouts, Fireproof Sweat wonders what for. “Ten years ago, a fire took the lives of four of our friends on rue Myrha in Paris, just a few months after Urs Graf Consort was founded. One of them — Nicolas Millet, a magnificent bookseller and FĂ©lix FĂ©nĂ©on specialist — was meant to be our bassist. The title Fireproof Sweat, and the album as a whole, questions how surviving the death of friends — outliving collective dynamics that death puts an end to — can carry with it the fear of betraying who we used to be, the fear of gradually losing our freedom. VivĂ©rĂ©, whose tracks were written both before and after that fire, was about fighting and shouting to stay vibrant with the will to live that preceded the crime. Fireproof Sweat, written after the mourning had passed, is its cerebral and anguished counterpart — about feeling uncomfortable with where you end up, and about repentance and regret in the face of everyday life.” Writing in Italian allowed for a kind of naĂŻve retour aux sources and opened up a more subjective form of songwriting.

$36.70
Urs Graf Consort Fireproof Sweat Vinyl LP 2025—
$36.70

Urs Graf Consort Fireproof Sweat Vinyl LP 2025

Tracklist:

1. Bacalhau
2. Moon
3. Tute bianche
4. Usury
5. No hope, no rope
6. Parachute
7. Sun
8. El Dorado

Fireproof Sweat picks up the torch from the group’s second album, VivĂ©rĂ© (2016, La RĂ©publique des Granges), though where VivĂ©rĂ© fights and shouts, Fireproof Sweat wonders what for. “Ten years ago, a fire took the lives of four of our friends on rue Myrha in Paris, just a few months after Urs Graf Consort was founded. One of them — Nicolas Millet, a magnificent bookseller and FĂ©lix FĂ©nĂ©on specialist — was meant to be our bassist. The title Fireproof Sweat, and the album as a whole, questions how surviving the death of friends — outliving collective dynamics that death puts an end to — can carry with it the fear of betraying who we used to be, the fear of gradually losing our freedom. VivĂ©rĂ©, whose tracks were written both before and after that fire, was about fighting and shouting to stay vibrant with the will to live that preceded the crime. Fireproof Sweat, written after the mourning had passed, is its cerebral and anguished counterpart — about feeling uncomfortable with where you end up, and about repentance and regret in the face of everyday life.” Writing in Italian allowed for a kind of naĂŻve retour aux sources and opened up a more subjective form of songwriting.

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Tracklist:

1. Bacalhau
2. Moon
3. Tute bianche
4. Usury
5. No hope, no rope
6. Parachute
7. Sun
8. El Dorado

Fireproof Sweat picks up the torch from the group’s second album, VivĂ©rĂ© (2016, La RĂ©publique des Granges), though where VivĂ©rĂ© fights and shouts, Fireproof Sweat wonders what for. “Ten years ago, a fire took the lives of four of our friends on rue Myrha in Paris, just a few months after Urs Graf Consort was founded. One of them — Nicolas Millet, a magnificent bookseller and FĂ©lix FĂ©nĂ©on specialist — was meant to be our bassist. The title Fireproof Sweat, and the album as a whole, questions how surviving the death of friends — outliving collective dynamics that death puts an end to — can carry with it the fear of betraying who we used to be, the fear of gradually losing our freedom. VivĂ©rĂ©, whose tracks were written both before and after that fire, was about fighting and shouting to stay vibrant with the will to live that preceded the crime. Fireproof Sweat, written after the mourning had passed, is its cerebral and anguished counterpart — about feeling uncomfortable with where you end up, and about repentance and regret in the face of everyday life.” Writing in Italian allowed for a kind of naĂŻve retour aux sources and opened up a more subjective form of songwriting.